Movies and TV

‘Freakier Friday’ Proves that ‘Happy Gilmore 2’ Should Have Been in Theaters

Ben Weiss

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‘It’s a Great Time to be Jamie Lee Curtis’: How the Star of ‘Freakier Friday’ Pivoted From Scream Queen Nepo Baby to Awards Magnet

Ben Weiss

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‘Superman’ v. ‘The Fantastic Four’: Come for a Superhero Movie, Stay for a Glorified Ad

Ben Weiss

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Here’s Hoping Lady Gaga and Tim Burton Make More Than Just a Music Video

Ben Weiss

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We Need to Stop Relying on ‘Boomer Bait’ to Save the Movie Theater Box Office

Ben Weiss

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How Reality TV Becomes Dangerous and Creates Unsafe Dramatics That Turn Into Real Crises

Lana DeGaetano

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Why Dakota Johnson’s ‘Elevated’ Rom Com, ‘Materialists,’ Isn’t Actually That Deep

Ben Weiss

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The Hypocrisy in Selective Hate for Nepo Babies Needs to Stop—Pick a Side

Lana DeGaetano

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‘Remember when Tom Cruise used to act?’: Tom Cruise Is Still a Movie Star. He Used to Be an Actor Too.

Ben Weiss

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The Art of a Good Finale: The Ending of ‘The Rehearsal’ Takes Flight while the Ending of ‘The Handmaid’s Tale’ Crashes

Ben Weiss

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Let’s Stop Timing Standing Ovations at Film Festivals, They Do Not Matter!

Ben Weiss

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Nathan Fielder’s Little White Lies: Unpacking the Ethics of “The Rehearsal”

Ben Weiss

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What Hollywood Should Take Away from the Success of Ryan Coogler’s ‘Sinners’

Ben Weiss

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How to Adapt a Video Game for Film & TV: Either Be Deeply Unserious like ‘Minecraft’ or Deeply Serious like ‘The Last of Us’

Ben Weiss

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Yes Spoilers: Why you shouldn’t have to wait for that one friend to catch up on ‘Severance’ and ‘The White Lotus’

Ben Weiss

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‘Absolute Pure Cinema’: Why the ‘Thunderbolts*’ marketing strategy is to steal indie movie studio, A24’s, Thunder(bolt)

Ben Weiss

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